How to Print Artwork with Metallics, Neons, and Special Effects

How to Print Artwork with Metallics, Neons, and Special Effects

When you work with metallic paints, neon pigments, heavy texture, or sparkly mediums, you already know your art has a special kind of magic. But here’s the truth when it comes to making prints: digitizing these effects is not always straightforward. Gold leaf doesn’t “shine” the same way in a scan... Neon may read softer… Texture can flatten out…and that leaves many artists thinking, “Why doesn’t this look like my original?” 

Don’t worry! This is totally normal, and there are ways to capture your artwork beautifully (and accurately).  

At Kiʻikau Printers, we work with artists who use every medium under the sun, so we’ve learned what works, what doesn’t, and how to set the right expectations before printing. 

Let’s walk through what you need to know before digitizing metallics, neons, and special effects, and how to get the best results. 

Why Special Effects are Hard to Digitize 

Picture this: You’re holding your original painting in the sunlight, and the metallic paint flashes gold. Or your neon streaks glow with an intensity that almost feels electric. That magic happens because of physical reaction with light, something scanners and cameras interpret differently. 

Metallics rely on reflectivity. Neons are made with fluorescent pigments. Texture depends on shadows and depth. 

Digitizing flattens light, and that's where the challenge begins. 

Scanning vs. Photographing 

When scanning works: 

Flat pieces with minimal shine (like pearlescent paint) often scan beautifully. Scanners create even lighting, which helps avoid hotspots. 

However, high-shine metallics usually lose their sparkle in a scan because scanners can’t replicate reflectivity. 

When photography works better: 

Heavy textures, gold leaf, reflective surfaces, varnished acrylic, and palette knife work are almost always better photographed; but good lighting is everything. You want the texture without harsh shadows and the shine without glare. Simple changes like angling the light source or using diffusers can make a huge difference. 

Setting Realistic Expectations for Metallics and Neons 

Metallic paints will look metallic, but they won’t “shine” in print. Instead, they appear as a flat color that hints at the original shimmer. 

Neons typically soften when digitized, because screens and printers can’t reproduce true fluorescent pigments. Many artists adjust by deepening or brightening the digital file. 

Think of your print as a new interpretation of your artwork - not an exact clone. It’s your chance to create a version that still captures the heart of your piece, even if the shine behaves differently. 

Tips for preparing special-effect artwork before digitizing 

  • Photograph metallics in soft, angled lighting to reveal highlights.  

  • Avoid overexposing shiny areas as detail gets lost quickly. 

  • For neon art, check the saturation so it doesn’t blow out.   

  • Remove dust or glitter particles on the surface before scanning.  

  • Let varnish cure fully so no tackiness reflects oddly in the capture. 
     

If you’re ever unsure, bring your artwork in and we’ll take a look. We can help you decide whether scanning or photographing is the better option for your piece. 

Our Scanning Services 

At Ki’ikau Printers, we offer: 

  • Professional high-resolution scans 

  • Up to three rounds of color correction (one business week per revision) 

  • Accurate, careful capture of your original artwork 

  • Capacity for up to 5 pieces at a time 

We’ll also walk you through how metallics or textures may translate, and what options you have. 

In the end… 

Special-effect artwork can absolutely become beautiful prints, it just takes the right method and the right expectations. Whether your work is glittering, glowing, textured, or somewhere in between, we’re here to help you capture it in the most authentic way possible. 

Bring your piece in and we’ll figure out the best path together! 

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